Evaluation question - How did you use media technologies in the construction and research, planning and evaluation stages?

Evaluation question - What have you learned from your audience feedback?

(See annotations)

Evaluation question - How effective is the combination of your amin product and ancillary texts?

Evaluation question - In what ways does your media product use, develop or challenge forms and conventions of real media products?

Shot List

0:00-0:03
Wherever I am..
Starts as close up of face, reverse zoom to midshot of him sitting on the bed, blurred window in background

0:03-0:08
I feel a storm rushing in
Panning shot, him standing (midshot), to him walking to the window (long shot).

0:08-0:11
You come closer
Long shot of him punching the wall

0:11-0:15
We're like trees in the wind
Zoom to raindrops on the window, then pan to him on the bed cuddling the teddy, head in hands (midshot)


0:15-0:19
You say hold on
Close up of her hand on the door


0:19-0:21
You say
Close up of her had over his name on the contact list, shows her deleting him


0:21-0:24
We're over now
She chucks the teddy at him (pans and midshot), picking up suitcase (midshot, bottom half of her, close up of hand on handle, tilts up)


0:24-0:28
But it's been going so lo...
She slaps him (close up of her face, pans to mid shot of him)

0:28-0:32
...ng I see our...
Girl walks in to find him on the bed with another girl (midshot, pans to long shot)
0:32-0:35 Bridges burning down The other girl on the bed stands and walks out (pans from long shot to midshot)

0:35-0:38
You were right this
Other girl showing main male texts of break up, putting his arm around her (over-shoulder, camera moving around them, to front mid shot)

0:38-0:42 World we're living in ain't.... (Continue from previous)

0:42-0:44
Reeee-alllll
Male going to door, expecting girlfriend, finds other person (long shot, tilts to find the other girls face)

0:44-0:49 It ain't real Lighting tealights and scattering rose petals (close ups of all the props, long shots and midshots of him, smooth movements and pans)

0:49-0:51
Placing teddy on the bed (close ups and pans)

0:51-0:55 The outside's quiet Girl doing her make up in the mirror, over the shoulder shot, followed by panning around to find him looking on lovingly, then panning back round to a shot in the mirror where they catch each others eye and smile

0:55-1:01
You could be silent I'd still
Play fighting, crane shot.

1:01-1:06
Hear you, you can't hear me
Aerial shot of them kissing

1:06-1:16§
But when you wake, I'll be gone, I know the way back but I feel so
Back to master shot of him on the bed, head in hands, punching thighs, close ups, mid shots, long shots. Camera moves back away from him

1:16-1:25 ...lost, maybe in time I'll move on, if it can't be me then I know there'll be on Eye contact with camera, close up of his face, lip synced, hand gesture for '1'

1:25-1:29
One, one, one
Snapshots. fading to black each time - kissing his girlfriend, fighting, then her leaving

1:29-1:31 Oh-oh
Sitting in pub garden, reverse mid shots, over the shoulder shots, holding hands across the table


1:31-1:35
Oooo-one
He is eating crisps and she steals one, reverse shots
1:35-1:40
Oooo--oooo-one
Close ups of their face as they look at each other across the table having a drink, reverse shots



1:40-1:43
It's 5am, I'm lying thinking
Aerial shot in a subdued setting, close ups of their faces, kissing and smiling


1:43-1:45
Of how I let you down
long shot, the girl is messing around singing into a hairbrush - generally messing about.


1:45-1:48
I should of paid you more attention
Long shot behind them walking in a field

1:48-1:50
And all of my mistakes
Matched cut - view from the front.

1:50-1:52
I hope you know that I regret them
shakes umbrella at him laughing - mid shot (weather dependant)
1:52-1:56
And all the times I told you I love you I really meant them
Candle lit dinner - over the shoulder shot to close ups of each of each of their smiling faces.

1:56-2:09
meant them.......ooooh-ooh-ooh, I took in way much more than I was giving, giving......oooooh-oh-oh
mid shot from the side standing up and leaning across the table for a kiss.

2:09-2:12
The past looks so much better than the present
Back to master shot - fist clenched with angry body language - long shot.

2:12-2:17
And we cant get keep on f**king like its nothing we're not changing.
Pours vodka and downs it, pacing up and down - Mix up of mid shots and close ups.

2:17-2:21- 2:25
The feelings that we have for one another and its making everything much harder cos its always amazing
Couple are on sofa fighting over TV remote - zooms into TV - The TV appears to be playing a montage of them meeting, the meal, the other girl in hotel room and downing vodka.


2:25-2:29
And when I'm with another girl its never quite the same thing
Mid shot of him with the other girl. over the shoulder shot of his phone, gazing at a picture of him and his girlfriend.


2:29-2:34
You said I never cared, I'm telling you you're mistaken
Split screen, filmed from the foot of the bed, with them in different beds, camera pans from left to right to show both of their empty beds.

2:34-2:37
The city that we lived in never helped the situation
Him trying to ring her - close up of the phone, with an over the shoulder shot of him ringing - then a close up of her phone, with a midshot of her reaction to him ringing.

2:37-2:42
Tell me all the time we spent together wasn't wasted
Lip sync of him saying it on the phone

2:42-2:46
I love you more than
Zooms into his eye like it's a flashback, to them cuddling in bed

2:46-2:48
Ohhhh
Eyes scrunched - close up of face

2:48-2:52
But when you wake, I'll be gone
His eyes flicker open and then he walks to the mirror
2:52-2:56
I know the way back but I feel so lost
Lip sync in the mirror

2:56-300
Maybe in time, I'll move on
Chucking stuff in open, half-packed bag
3:00-3:05
If it can't be me then I know there'll be one
Finds something of hers and smells it then chucks it across the room

3:05-3:09
But when you wake, I'll be gone
She is standing there, about to knock

3:09-3:13
I know the way back but I feel so lost
He stands to the side to let her in

3:13-3:21
Maybe in time, I'll ove on, if it can't be me then I know there'll be one
Drops the bag and puts his arms around her and kisses her

3:21-3:29
One, one, one
Back to master shot, smiling for the first time

An Alternative Plan for our video

Due to the fact our deadline is fast approaching and we have struggled to organise successful filming dates with all the actors , we have had to try and think of an alternative plan if we decide to abandon the original idea.


With previous issues, we decided it would be best to be prepared should we not get all filming completed, hence why we have decided to have this back up plan.

Our New Idea:

We plan to have the male lead 'breaking free' from an office, with a snap shot of him walking though town, and travelling, until he reaches the airport. The finale to the video will be him finding his girlfriend at the airport, about to leave. We felt this may be a more fitting idea as our actress (who has prior commitments) will be needed less.

Dates

Emily and I are meeting at Emily's house on Tuesday 22nd October in order to get the room ready for filming, as well as doing some test shots to check lighting, angles etc.


We will then be filming in October half term, as yet we have not decided on a concrete date, but we hope to do it as early as possible in order to make sure we have all the footage we need.
This will probably be either Monday 28th or Tuesday 29th October.